This year I started to work in a small recording
studio, and I have talked with many talented people who have struggle to make
it in the business. To work or be sign with a label House is the desire of countless
artists since they are able to make great advances of money, hire the best
recording studios, with the best music producers of video that they can spend
on the promotion and implementation of the product in stores. One of the
objectives of a label is the promotion, marketing and advertising, and the
music that interprets an artist. This requires a large financial investment
to the largest number of possible audience. [Music Think Tank]
It
takes talent, good promotion and enough luck to be engaged. Even so, fame and
success are not guaranteed.
Almost all the musicians I
know dream of a recording contract which remove them anonymity, take them to
fame, money and a life with eternal feast with tours, and beautiful
groupies at their feet. They believe
that to make it they only need talent, and eventually a record producer will
discover them into glittering world stars. Just look the Billboard charts, I
really consider it lacks talent. Reality
is that they are other factors that affect the design and success of any
artist.
I know dedicated and excellent
musicians who have never managed a contract or sign with a major label, who
spend hours practicing and in fact are virtuous and talented musicians, but
unfortunately this is not enough to "make it" in the music
entertainment industry. What is needed for them to achieve the cherished
dream? After consulting several characters of the record industry, the most
important is that the artist or band managed to release their first album,
whether paying the costs to themselves or through an agreement with an independent
record label. These seals do not have the capacity of distribution or
investment of large multinationals like the "EMI" or
"Warner" label, but can help to better define the artistic concept
and project business to the artist, endowing it with a team, usually press
agents and connecting with influential people in the industry. From there they should
work hard and promote the project. [Tom Hess]
Today, with the possibility of the
internet, artists had the possibility to disseminate their work in masse. On
pages such as www.purevolume.com new artists that have not
yet signed a recording contract can showcase their work and from there to
promote themselves. With the eventual spread of the market through the network
perhaps delivering real possibilities.
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